Exhibitions
Tourning Pages. Künstler*innenbücher der Gegenwart, MAK, Vienna, October 1, 2025 – March 3, 2026
Free Won’t, Edouard Montassut, Paris, June 6 – July 19, 2025
Tonio Kröner, Maggie Lee, Gina Folly, Lorenza Longhi, greengrassi, London, January 18 – March 1, 2025
Ins Dunkle schwimmen. Abysses of the Creative Imperative, The University Gallery of the Angewandte, Vienna, October 16, 2024 – February 1, 2025
Hilda Stammarnäs, Tonio Kröner & Viktor Fordell, Issues, Stockholm, September 19 – October 12, 2024
Reopening, Schleuse, Vienna, July 1 – July 22, 2024
Deux Deviennent Deux, Cento Gallery, Glasgow, July 8 – August 20, 2023
How to Move and Respond, Haus am Waldsee, Berlin, May 20 – 21, 2023
Boarding Time, Galerie Lars Friedrich, Berlin, November 11, 2022 – January 21, 2023
Bells, Galerie Buchholz, Cologne, September 24 – October 29, 2022
Adult Essence, Lore Deutz, Cologne, April 15 – May 15, 2022
Paradis, Maison R&C, Marseille, August 26 – October 25, 2021
E–G#–D–A#, Nousmoules, Berlin, December 31, 2020 – January 31, 2021
Ohne Titel, Schleuse, Vienna, July 4, 2020
Relax it’s all online, Galerie Lars Friedrich, Berlin, June 19 – August 1, 2020
Halfway Down the Stairs, Lumiar Cité/Associação Maumaus, Lissbon, November 11, 2019 – February 2, 2020
Castanheira, António, On the way down the stairs there's a step for me to sit on. Tonio Kröner at Lumiar Cité, Lissbon, January 15, 2020, umbigomagazine.com
We need more than one term for theses big things, Universität für angewandte Kunst Wien, October 30, 2019 – January 25, 2020
Neue Horizonte 2030, Geist, Berlin, April 27 – 28, 2019
Tonio Kröner (ed.). Silhouettes (With text contributions by Vanessa Place, Simon Thompson, and Keaton Ventura), Vienna: Westphalie, 2017, English, 17 x 12 cm, 68 pages, 3 spot color doublespreads, 580 ex., ISBN 978-3-903216-00-6. €9, free coffee, Nousmoules, Vienna, June 23, 2018
Is it language that they’re after? (keine*r antwortete.), Kunsthalle Exnergasse, Vienna, April 12 – May 26, 2018
Publications
Angeletti/Marie, Andreetta/Gianmaria, Wills/Camilla (eds.), Paradis, ex. cat., Claude Balls Int., Marseille, 2022
Tonio Kröner. Boarding Time, laser cut pamphlet, Westphalie, Galerie Lars Friedrich, Vienna/Berlin, 2022
TK, ex. cat., Lore Deutz/Edition Taube, Cologne/Munich, 2022
The sale of the pictures has continued to be a satisfaction to the Wolf-Man, in: Amelie von Wulffen. Ausstellungen/Exhibitions 2018–22, ex. cat., Kunsthalle Bern/Etablissement d’en face/Amelie von Wulffen, Bern/Brussels/Berlin, 2022, 167–170
Inventur. Tonio Kröner über Michaela Eichwald im Lenbachhaus, München, in: Texte zur Kunst, no. 122, Juni 2021, 247–249
Lecture on Amelie von Wulffen, KW Institute for Contemporary Art, Berlin, April 22, 2021
Amelie von Wulffen und Nico Ihlein, Untitled, 2019, in: Müller/Robert, Rainer/Cosima (eds.), Der Hausfreund. A Rediscovery of the Eccentric Work of Friedrich von Berzeviczy, ex. cat., Universität für angewandte Kunst Wien, Verlag der Buchhandlung Walther König, Cologne, 2020, 161
Artist talk with Monika Baer, n.b.k., Berlin, June 25, 2020
Artist talk with Michael Krebber, Museum Brandhorst, Munich, October 7, 2019
Halfway Down the Stairs, in: Preston/Laura, Widmann/Tanja (eds.) Postapocalyptic Self-Reflection, Westphalie, Vienna, 2019, 70–73, 88
Kröner/Tonio, Preston/Laura, Widmann/Tanja (eds.) Postapocalyptic Realism. It’s After the End of the World. Don’t You Know That Yet?, ex.cat., Museum Brandhorst, Westphalie/Verlag der Buchhandlung Walther König, Vienna/Cologne, 2018
Painting more Naked than Naked, in: Hochdörfer/Achim, Kröner/Tonio (eds.), Jutta Koether. Tour de Madame, ex. cat., Museum Brandhorst, Verlag der Buchhandlung Walther König, Cologne, 2018, 268 – 277
McBride/Rite, Gray/Zoë (eds.), Rita McBride: Explorer with insert for Something Stronger Than Me*, ex. cat., WIELS Contemporary Art Center, Occasional Papers, Brussels, 2018
Tonio Kröner. Silhouettes, ex. cat., Arthur Boskamp-Stiftung Hohenlockstedt, Westpahlie, Vienna, 2017
Moser/Christine (ed.), Vienna Complex, ex. cat. Austrian Cultural Forum New York, Verlag Anton Pustet, Salzburg, 2014
Life, like networking, is a group show, in: May, no. 11, October 2013, 202–207
Richard Prince. Untitled, 1993, in: Kraus, Karola (ed.), Museum der Wünsche, ex. cat., mumok – Museum moderner Kunst Stiftung Ludwig, Wien, 2011, 166–169